Sunday, March 12, 2017

2278, Before and After

Or, continuing the theme of the previous post

Several years ago I had an exhibit in a photographic gallery downtown.  The curator was reluctant to show my work because he knew I did nature stuff.  He stressed he was geared more towards gritty urban photos.  The black and white photos I ultimately showed in his gallery weren't particularly gritty, but they were urban.  They didn't sell, and now that gallery is no more.  I don't think I was responsible for its demise.  But, one never knows, does one.


So, here is one of my very few gritty urban photographs.  (Not one I showed in that gallery)  I made the photograph above in 2009.  The backside of 2278 First Street was definitely gritty.  Now that our downtown, promoted as The River District, is gentrifying, things are getting spruced up.  2278 is now a happenin' bar and restaurant, with apartments upstairs.  The photo below was made in 2017.  It's all spiffed up.  If you want gritty, the older one is gritty.

© 2017 Buck Ward                       The Photographist                            www.buckward.net

Saturday, December 31, 2016

Then and Now
























If Fort Myers were in England it would still be in its infancy, but it's pretty old for southwest Florida. In our Historic River District there are quite a few buildings more than a hundred years old.  I like to photograph the old buildings, out of a sense of history as much as art.  This is a relatively new building, but it will be old some day.  It was built in about 1999 as the City Pier - a home for the Buquebus, a high speed catamaran shuttle to Key West.  The Buquebus never happened.  From 2008 to 2013 the building was the home of Art of The Olympians, established by the family of the late Al Oerter, artist and four-time discus gold medal winner.  Now it is the office of Allure, a luxury condo development yet to be built.  The Allure folks brought these large metal sculptures to the River District, about two dozen of them scattered about.  

Anyhow, here are two photographs of the City Pier, then and now.

 

© 2016 Buck Ward                       The Photographist                            www.buckward.net


Sunday, November 27, 2016

A New Tool

Several months ago I downloaded some new software - The NIK Collection, in particular Silver Efex, a black and white editor.  I had heard about it.  I knew some photographers used it, but I was satisfied with my aging version of PhotoShop.  Then,  last April it became available for free.  It still is, as far as I know.  Look it up.

I had been making photographs that just weren't satisfying.  That's been the story for quite a while, as evidenced by the paucity of material posted here on this blog.   I had worked with this one in PhotoShop, treating it the way I usually do.  It just didn't work.  So I thought I'd give Silver Efex a shot and booted it up.  It has presets; so I ran through the selections.  Many of them were unimpressive and some looked just like the results I had gotten using Photoshop.  But a few got my attention.  Below are two versions of a picture I had made that morning, predawn.  The lower one is the PhotoShop conversion and the upper one is a Silver Efex preset with some additional PhotoShop editing.  I found the difference to be remarkable.  Wha'dya think?


I still haven't figured out how to use Silver Efex.  It's a thing I keep meaning to do, to run through the tutorials and learn how to use it.  My great talent for procrastination intervenes.  But it has the presets.  You don't need to know anything; you just click on the preset and see how it looks: Nope, nope, nope, pretty good, nope, nope, even better, nope nope, that's it!

So, I tried it on some recent also-rans and came up with some that aren't so bad.



 

© 2016 Buck Ward                       The Photographist                            www.buckward.net

Sunday, May 22, 2016

Fire on the Presli Jo

I saw the smoke, a black plume in the early morning twilight. It was at the yacht basin. When I got there, I could see flames, but there were no fire trucks around. A big yacht horn sounded, loud and long. I called 911 on my cell phone. They didn't answer and then a cop car drove up. I hung up and took a picture (above) with my phone. Another cop car drove up. I was going back to my car to get my camera. The cop parked behind me told me to go away, so I moved the car. Still no fire trucks.

 


I got my camera and telephoto lens out of the car and found a place where I could see the fire. It was a small sailing yacht, fully engulfed in flames. 

 


Finally I heard the siren of a fire truck, and I saw the red lights. The fire burned. I couldn't see any fire fighters and the fire seemed to go on and on. After a while I saw a stream of water from behind another yacht. It was like a garden hose but it did seem to reduce the size of the flames. Then the water stopped for a while, then started again more vigorously. Pretty quickly, the flames went out. 

 


I shifted my position and I could see a small crowd of fire fighters and other people on the dock. One was holding a hose, spraying the ill-fated sailboat, which was still steaming. Then a fire boat came and slowly towed the burnt yacht out from among the other berthed yachts and out into the river, to the outer dock. I could see the name, the Presli Jo. 

 

By this time, the sun was coming up and I went on my way, like the cop had told me to do.


© 2016 Buck Ward                        The Photographist                            www.buckward.net

Monday, November 9, 2015

Causeway Skies

or... Chasing the Sun and the Moon and Catching Clouds Instead 


Near the equinox, from a particular vantage, the sun will rise directly behind the lighthouse.  I've been trying, twice a year, to make a good photograph of this.  No luck again this year.  On this particular morning, – the calendar had turned the page to October; the sun would rise to the right of the lighthouse –  one last try.  One more “better luck next time”.  The sun rose into the clouds and started spraying its rays.  I stayed.  I was rewarded with this nice sunburst.  When this pelican flew into the frame, just by luck I managed to catch it silhouetted against the sun streak in the water.



My task this October morning had been to catch the crescent moon rising behind the Sanibel lighthouse about an hour before sunrise.  The sliver of moon rose in a dark sky lightly streaked with wisps and then faded from view before the sun cleared the horizon. I got some crescent moon pictures, but nothing to knock your socks off.  And then, over the next hour, this dramatic cloudscape built up.  Not long after I made this picture, the clouds smeared into a dull overcast.


It was the gibbous moon that I wanted.  The moon was setting and the clouds were rising;  the opportunity wouldn't last.  I saw the anhinga in the mangrove; it drew me to this location.  I experimented with the composition – the tree, the bird, and the moon.  I really wanted the moon to be lower so I could make the image with the long end of the range on the 17-40 zoom lens., to fill the frame with the tree and bird, and to make the moon as large as possible.  But it just didn't work.  The moon was too high for that, and would have disappeared in the clouds by the time it was in a better position.  So I moved about, trying this, trying that.  Then the little boat came a long, and, something I don't usually do, I popped off a couple with people in them.   This is the one I chose.  The moon, initially the inspiration for the picture, is a hardly noticeable tiny little bonus.
 

© 2015 Buck Ward                        The Photographist                            www.buckward.net

Wednesday, October 21, 2015

Polarizing Clouds



Polarizing filter - a simple and effective photographer's tool.



One of the things a polarizing filter is good for is increasing the contrast in clouds, especially on a hazy day.  I show you these two photos simply to illustrate the effect a polarizing filter can have on clouds.  One photo was made with the polarizer rotated to its maximum effect; the other was made with the polarizer rotated to its minimum.  The maximum setting slowed the shutter speed by two stops, but in this case that was inconsequential.  The positive effect on the image is remarkable.  To be most effective, the axis of the lens needs to be pointed perpendicular to the direction of the sunlight, that is, the sun should be to your side rather than in front or behind you.

  © 2015 Buck Ward                        The Photographist                            www.buckward.net

Friday, June 26, 2015

Fun with Ospreys

When I go out on my photographic forays I usually look for something of scenic value, a landscape. I used to be an avian photographer, but now it's pretty much just landscapes. Sometimes the locale lends itself to either. I was out on the Sanibel lighthouse beach, one of my recurring venues, and there was nothing to be had, landscape-wise. I've pretty much milked it for all it's got, but it's a nice place to be.  There are ospreys there. I usually ignore them. I have hundreds of osprey pictures in my files. But on this particular day, they were showing off, so I went back to the car and got my long lens and had a lot of fun. My bird skills are gone, but this was like shooting fish in a barrel, so to speak.




 © 2015 Buck Ward                        The Photographist                            www.buckward.net





Saturday, May 23, 2015

The Osprey and the Shell Picker

Beach erosion has taken this old buttonwood. It's still twiggy, but before too long it will be a picturesque snag, if some collector doesn't cut off its branches. I made this picture last week, at low tide. I had to wait about 20 minutes for a slow moving shell picker to mosey out of the frame. At one point she looked up at me as I stood waiting behind my tripod, arms folded across my chest, and said, “Oh, am I in your picture?” I nodded. “Sorry,” she said, and went back to her shelling. I went back to my waiting.  


So, a week later it was high tide, according to the natural scheme of things. I returned to do it again, to see if I might be able do to it a little differently.  A neutral density filter and a graduated neutral density filter let me shoot into the rising sun with a long enough exposure (about two seconds) to turn the surf satiny. The tide and surf kept the shellers out of my frame but the ospreys were there, on a favorite perch right next to my buttonwood snag.

 © 2015 Buck Ward                        The Photographist                            www.buckward.net